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Sunday, October 11, 2026
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Ballet Luminary Matthew Ball on Grueling Roles and Online Attention: 'I Don't Feel Precious About My Body'

Within the hushed ambiance of a lounge near London's Royal Ballet, Matthew Ball orders a mint tea. His carriage is effortlessly upright, his arms defined beneath a plain tee. On stage, ballet dancers can seem as mighty gods, yet frequently in person they are petite. Not so Ball, whose height is one reason for his popularity for princely characters and partnering. Possessing delicate features and intense eyes, there's a hint of Robert Pattinson about him.

An Apparent Rise to the Top

Now 31, Ball is experiencing the crest of a career that has progressed smoothly. Growing up in Liverpool, he faced minimal teasing for his early interest in ballet. Entering the Royal Ballet School at 11, he moved straight into the company and was promoted annually, attaining the top rank of lead dancer in 2018. He has relished tackling substantial characters, especially the emotional angst found in a famed choreographer's works.

"Your breath is short, your legs get heavy, but it’s really a mental fatigue."

His upcoming featured appearance is as himself, in an "Evening With" event aiming to offer behind-the-scenes perspectives into a performer's craft. He will walk the audience through a role, showing his mental process during execution. Even in more comedic works, the challenge is profound. "A classic ballet is one of the toughest from a skill perspective," he states.

The Mental Game and Post-Performance Feelings

What about following a performance, when he has succeeded? "It feels pretty good," he admits. "But because I'm trying to squeeze all the juice out of it, and get lost in the character, frequently I do feel embarrassed later. Following Mayerling I'm always thinking: Wow, what must people think?"

In person, Ball is thoughtful, mild-mannered, and quick to laugh at himself. Yet a dance maker once observed on a "sense of suffering in him." Does this exist? "I'm quite active usually, but I do have a dark side," he reveals. "I kind of enjoy pessimism sometimes. I've always felt that doubt has been an instigator for positive change."

Formative Motivations and Artistic Influences

Ball's tenacity stemmed from youthful setbacks. Not doing well in contests at school made him "driven!" It was motivation to demonstrate he could achieve. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit fanatical," he remembers.

An upcoming challenge is creating his own dance works. For Ball, "organic movement has value." "Challenging the rules is interesting, but just pretending that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be filled with meaning, drawing ideas from literature, music, and art.

Close-Up Dance and Personal Dynamic

He additionally favors presenting dance in more intimate spaces. "It was just really thrilling," he says of a past experience. "You’re so close to the audience. I felt as if they were thinking: 'That’s a human, and they’re perspiring.'"

Ball has created duets with his partner, fellow lead dancer Mayara Magri. The degree of faith between them is clear. "We tried it out on the beach first," he says of a audacious lift. "It was like Dirty Dancing." They aren’t usually paired on stage at their home company, which is perhaps beneficial. "We’re both quite strong-willed people, so it’s not always hunky dory," he admits. "But I feel like we’re each other’s biggest supporter."

Regarding Instagram and Physical Perception

On social media, followers can see clips from his dance films and photos that showcase a athletic form. Does he mind that the engagement can be somewhat focused on appearance? Not particularly. "The body is just what we use, so I don’t feel very protective about it," he states. He compares it to viewing Michelangelo’s David—something that can be seen on various ways.

Ball characterizes his younger self as "desperate for success." Did it met his hopes? "I feel very aware of how reality is a separate thing to the aspirations you made as a young person," he reflects. He probably has about ten years of dancing ahead. "I guess in the future, I want to be a bit more kind with myself."

The writer

Misty Schneider DDS

A tech enthusiast and digital strategist with over a decade of experience in software development and innovation consulting.

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